Maya 2018.2

1. Maya 2018.2 Update
2. Maya 2019.2 Download
3. Maya 2019.2 Update
4. Maya 2018.4 Update
5. Maya 2019.2 Student
6. Maya 2018.2 Download

Download the free trial version of Autodesk Maya 2020. Maya is software for 3D modeling, computer animation, visual effects, and 3D rendering. Autodesk Maya 2018.2 Update MacOsx 1.2 Gb Autodesk Inc., a world leader in 3D design software for entertainment, natural resources, manufacturing, engineering, construction, and civil infrastructure, has released an update to Maya 2018. Bring your imagination to life with Autodesk Maya 3D animation, modeling, simulation, and rendering software. Maya helps artists tell their story with one. Autodesk Maya 2019是最近发布的一款专业的三维动画软件，该软件刚发布不久就受到了用户朋友的热烈喜欢，用过其他版本的软件朋友肯定知道它的功能到底有多么强大，我们现在这个时代也是时代3D图像技术最火热的时候，很多领域都需要用过3D效果来时东西根据好看，更加具有特色，比如说平面设计.

Autodesk has released Mudbox 2018.2, the latest update to the digital sculpting software, adding a long-awaited dynamic tessellation system, new brushes for refining mesh density, and support for Hi-DPI monitors.

The release is the first in several years to introduce significant new functionality to Mudbox, arguably adding more major new features than the entire Mudbox 2016 and Mudbox 2017 release cycles.

‘Reinvesting' in Mudbox development
The update makes good on Autodesk's promise to 'reinvest' in Mudbox development, following a period of several years in which the software seemed to be stagnating.

Mudbox 2018.1, released last October, laid the groundwork for new development, fixing over 75 bugs.

'[We] knew the first thing we had to do for Mudbox was to raise the quality bar and general stability of the product,' commented principal product designer Trevor Adams in a post on Autodesk's blog.

'But a lot of you asked a very crucial question soon after checking out that release: where are the new features? The Mudbox 2018.2 update … is our direct answer to that very question.'

Dynamic tessellation makes it possible to sculpt a complex model from a simple primitive
The major change in Mudbox 2018.2 is a new dynamic tessellation system, along the lines of Blender's Adaptive Sculpting, or 3D-Coat's LiveClay tools.

The system makes it possible to increase the resolution of the mesh locally on the fly while sculpting, rather than requiring an artist to subdivide the entire mesh in order to carry on adding detail.

With dynamic tessellation, it becomes possible to create a detailed sculpt entirely inside Mudbox, starting from a simple primitive, rather than needing to import a low-poly base mesh created in another application.

Unlike ZBrush's DynaMesh feature, dynamic tessellation can be used throughout the entire sculpting process, rather than being designed primarily for roughing out the base form of a sculpt.

Autodesk first demoed such a system in 2015, albeit for Maya rather than Mudbox. At the time of the 2018.2 update, it was the most popular feature request in the firm's Mudbox Ideas forum.

Control mesh tessellation automatically or manually
Although Mudbox primarily determines how much to tessellate the mesh according to how far zoomed in the user is while sculpting, it is also possible to set tessellation paramters for each sculpting tool globally.

Geometry count can also be controlled manually via three new brushes: the self-explanatory Reduce and Refine, plus Remesh, which again increases or reduces mesh resolution according to zoom distance.

Maya 2018.2 Update

Other new features: support for HiDPI displays, new painting and map extraction options
Other new features in Mudbox 2018.2 include support for HiDPI monitors; and a new gamma correct blending option, which eliminates dark edges where colours meet when painting a model.

There is also now the option to set a custom edge bleed value when generating texture maps from a sculpt, over and above Mudbox's global setting, and independent of the size of the maps being created.

Pricing and availability
Mudbox 2018.2 is available for Windows 7+, RHEL and CentOS 6.5 and 7.2 Linux, and Mac OS X 10.11+. Like all of Autodesk's software, it is available rental-only, with subscriptions starting at $10/month.

At the time of posting, the free trial version of Mudbox hasn't been updated to version 2018.2 – Adams describes this as an 'an accounting rules thing' – so to test the new features, you'll need a subscription.

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Tags: 3D painting, 3D-Coat, Adaptive Sculpting, autodesk, baking, Blender, digital sculpting, DynaMesh, dynamic tessellation, HiDPI, LiveClay, Maya, Mudbox, Mudbox 2018.2, new features, price, Reduce brush, Refine brush, Remesh brush, texture map, ZBrush

Incidents in the Life of a Slave Girl is a rare glimpse into a woman's triumph over slavery for herself and her children. All of Harriet Jacobs' substantial courage, ingenuity, and determination is needed to withstand the dehumanization that occurred under slavery, reducing human beings to pieces of property and depriving them of even the most basic rights. Slave mothers were particularly vulnerable within this institution that denied them the support from a traditional nuclear family and the ability to care for their children themselves. However, in Incidents, Harriet, like her grandmother before her, adapts to the oppression of slavery and still works towards achieving a better life for their children.

The hardships of motherhood under slavery begin before the child is even born. A marriage between slaves requires the permission of the slave-owner, who has the power to separate the husband and wife or to sexually abuse the wife himself. Regardless of whether the father of a slave woman's child is a fellow slave, a free black man, or a slave-owner, the child follows the condition of the mother. Hence, slave-owning fathers put a monetary value on their own children and slave mothers are denied the traditional family support structure to raise their children. Since the only relationship that is acknowledged under the institution of slavery is the one between a master and slave, mothers are forced to capitulate to the demands of their masters rather than prioritize their child. Grandmother has to wean Harriet's mother early so that 'the babe of the mistress might obtain sufficient food.' As slave children grow up, a slave mother struggles to teach them to 'respect themselves and set a virtuous example' due to the constant spiritual and intellectual subjugation that characterizes life under slavery. She also struggles to protect them from physical subjugation, as abuse is rampant and any attempt at defense is viewed as rebellion.

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One of the most difficult aspects of motherhood under slavery is the forcible separation of mothers from children. A slave mother '[cannot] call her children her own', as they are the property of the master. As soon as children grow out of infancy, mothers are 'always…in dread' that their children will be sold away from them. Grandmother is left 'vainly pleading for mercy' when, despite her best efforts, her youngest son Benjamin is bought by a slave trader. Years later, Harriet recounts that Dr. Flint's threats to sell her son 'lacerated [her] heart.' When slave traders sell mothers and children to different slave-owners, the mothers do not know where their children will be taken, whether they will ever see their children again, or what kind of future their children will have without a mother to raise them.

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Even if a mother is able to be around her children, a master's authority based on economic power usurps a mother's parental role based on love. Grandmother has to be 'grateful for permission' to sit by the side of Nancy, her dying child. Similarly, Harriet is unable to take Ellen to an oculist for her eye inflammation without Mrs. Hobbs' permission, although she 'longed to be entirely free to act a mother's part towards [her] children.' These incidents exemplify a broader point that slave women are unable to fulfill the duties of motherhood, not because they do not wish to, but because they are constrained by the limitations put in place by slavery.

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Despite the degrading conditions of slavery, a slave mother still 'has a mother's instincts, and is capable for feeling a mother's agonies.' Driven by the innate feeling of a mother's love, slave mothers find ways to cope with their difficult circumstances and care for their children to the best of their abilities. Grandmother consistently provides emotional support to her children and grandchildren, urging them to have faith and hope despite the seemingly hopeless conditions. Like all mothers, slave mothers want their children to have a better life, which they hope to achieve by first ensuring the freedom of their children. Grandmother plans to do this through her baking business 'and each year she laid by a little, which was saved for a fund to purchase her children.'

Similarly, Harriet hopes to ultimately create a 'hearthstone of [her] own' in the freedom of the North where she can raise her children as she sees fit. She plans to free her children by hiding in Grandmother's attic, and thereby tricking Dr. Flint into selling them. Through her plan, she sacrifices her physical comfort, ability to mother her children, and her own freedom for seven years. Once in the North, Harriet immediately decides to go to work so that she 'might change the uncertain position of [her] children,' and buy their freedom, which has not yet been assured. After eventually gaining their freedom, Harriet sends her daughter to school and her son to an apprenticeship because she recognizes that education can mitigate the hardships that are still present due to discrimination and lack of economic opportunities.

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Incidents in the Life of a Slave Girl sheds light on the particular challenges that slave women faced. A mother-child bond based on love, an undeniably human emotion that asserted the humanity of the slave mother and her children, was inherently at odds with a master-slave relationship based on monetary value and power hierarchy. Slave mothers were often separated from their children, forced to watch the abuse of their children, and unable to forge traditional family bonds due to slavery. In Incidents, despite seemingly insurmountable obstacles, Harriet and Grandmother demonstrate great persistence and courage in their pursuit of a life of dignity for themselves and their children. They find the resiliency within themselves to not only survive and escape the inhumane conditions of slavery, but also to provide the next generation with the means and the strength to strive towards a better future.